Something to Talk About

I'm new at my job. Unsurprisingly, I'm frequently making my way to the printer and end up exchanging pleasantries with folks who don't know me.  Those initial conversations are frequently awkward, so polite as to be ridiculous, but that's the dance we do in new spaces. Because I started this job while going through our second miscarriage, I was more sensitive to some of those getting-to-know-you questions and I was struck by the fact that only women with children asked me if I had children. It was frequently one of their first questions, and perhaps it always has been.  Perhaps it's only now, when we're trying for and losing our babies, that the question lodges somewhere painful and leaves a mark.

I will say, first, that for whatever reason, the second loss has been easier than the first.  Easier in that I knew what to expect, understood what I was feeling, and had a learned timeline of events.  It was not emotionally easier, but I definitely functioned better. No catatonic evenings on the couch writing drippy poetry and sipping whiskey. I'll partly credit the new job for that high functioning sadness but I'll also credit the weird, wonderful resiliency of human experience. But that doesn't lessen the hitch in my breath, feel the hollowness of my answer, "no, no children." I am an excellent actress, so no need to assume this is painful for anyone other than myself. I am slick and clever and any discomfort can be easily sidestepped with a quick reference to lawyer antics, my newest kitchen gadget purchase, or a comment on somebody's fabulous shoes. 

That's fine. Really. I understand the weirdness of meeting and investing in people, asking questions, picking and prodding to determine points of shared interest. We do so desperately want to connect with people and questions are how that information frequently makes its way to us. But I think it's the expectation of the question itself that I find difficult these days. I don't doubt that mothers want to know if there is shared experience there, a shared bond, working mom to working mom, and that's certainly a valid connection to hope for.  But I wish we didn't start there. I wish that wasn't the first of the getting-to-know-you questions.  Because I am positive that I will not be a more interesting person if/when I become a mother. I will never be of more value than I am right now. My worth, vitality will not increase. I will love someone new, cherish someone I've longed for, but I've actually experienced those things before. I could talk about my husband that way. And if you'd spoken to me before I met him, I could have spoken similarly about members of my family, dreams, goals, travels. My mind, my heart, my relationship with the world, they do not become more worthy of interest or bond or connection when I can add "mother" to my list of descriptors. I am wholly myself today and will be wholly myself forever. 

Women without children never struggle here, they don't ask if you have kids. I don't ask women if they are mothers when I meet them.  And it's not because I don't care, it's because their motherhood isn't a key piece of information for me in determining how I will connect with them.  Because motherhood is not something we will link arms over, we have to find other areas to connect. Books, school, autumn, a shared love of americanos with vanilla syrup, travel daydreams, cars in the shop.  I am aware of my increased sensitivity these days but the questions surrounding children feel very much like an audition with some women, as if my choice of monologue is under scrutiny and the cast list won't be posted until Friday. I think it's this assumed lack of invitation, this knocking on the window of a club I'm not invited to, that scratches the wound. Because so frequently after I say I don't have kids, the conversation falters. Even if I joke and bring up my adorable dog.  Even if I ask to know more about the children, what grade, what sport, there's a languishing there and I feel not a little bit left in the cold. 

While we've begun the adoption journey, we don't know how/when that road will end. I wish, in meeting women, we could connect as friends,  as colleagues, as athletes on side by side spinning bikes, as lovers-of-Jane-Austen, as mutual haters of the office copier, as owners of the same leopard print sweater, and leave the do-you-have-kids questions for days, weeks, months down the road.  I wish for many things, and this is one. 

Castles on the Wall

The Castles hung in his den, which we rarely used. They hung in the room we awkwardly crowded into years ago, that first Thanksgiving after his diagnosis, when we weren't sure how much time we had but we worried the time we had was short. It was too formal a space for our typical Thanksgiving banter and debate and storytelling and worry. But it felt like the room we were supposed to be in.

If I ever noticed the Castles before he died, I don't remember that moment. They're a striking pair, beautifully framed, original paintings of castles to which we have no familial ties. Perhaps he mentioned them to me at some point, asked me if I'd ever been nearby, seen them in person. I'm not even sure if they still stand, perhaps the paintings themselves are pictures of ghosts, Cornwall must be bursting with not-important-enough-to-maintain castles.

We wandered the house after he died, knowing that every thing in its place would soon not be in its place any longer. Couldn't we just keep the house a bit longer, just let it rest, let it miss him? The half-hearted pointing and, "yeah, I guess that might look good in our second bedroom" rings so loud, achingly hollow. I don't want the damn end tables, I want him here. But I guess if they're just going to be sold to someone who doesn't know who they belonged to, hell, yes, I want them.  At least I know where those end tables sat, wooden bookends to the couch we all loved. I know the (not my style) lamps that sat on top of them. I know whose crossword puzzle was tossed there.

I have always been surrounded by him here.  When I bought the house he sent me gorgeous, impossible to fit anywhere mustard colored chairs, a blue ceramic lamp that now sits beside my couch, a mirror that probably cost more than our bed. On birthdays and when I got married he filled the house with pots, pans, kitchen gadgets. Even our collection of coffee mugs has his imprint. Knowing my husband's fascination with Waffle House, he gifted him with a holiday Waffle House coffee mug for Christmas. The thought in that mug still destroys me. I keep it tucked in the back of the cupboard so its presence doesn't wreck me unawares on a Tuesday.

But those things were deliberate gifts. He touched them, decided they were ours. The Castles are only here because I chose them. They are beautiful, and they watched us eat Thanksgiving  turkey, heard our prayers for healing (and for each of us, if not out loud, "if he can't be healed, Lord, at least give us more time than we deserve"). They're prettier than anything else we own on these walls, they're more sophisticated than we are, and they do not belong here.  They belong in his house, in the room we didn't use.  They should be hanging on those walls, an occasional conversation piece but largely forgotten, pictures of ghosts.

They will never be my Castles. They are simply more than I find myself desiring, they're lovelier, older, more impressive than I'd elect. And that makes sense, because they belonged to a man who was more than I deserved. More faithful, more generous, more loving, more kind. And while his choice in art was more classically lovely than I'd choose for myself, he also gifted us with Waffle House mugs, so the pretty inherent in all of his things holds little pretension. The Castles now hang just above our dining table. We don't have a room that goes unused because this home is 890 square feet. There is no den to tuck the prettiest of things, even the prettiest of things have to mingle with the hand-me-downs and Target clearance in this house. But they hang where we pray before supper. They hang where I sometimes work from home, laptop angled to the windows. They hang where we host friends, where we make decisions, where we lay out our passports before traveling. They hang where we live and their prettiness fits in well here, in our new Life Without Uncle Buck. It's a life that misses him, speaks to him, hears his "hey sweetheart" so damn clear, and it's a life that now has Castles on the wall.

A Roof

Several weeks ago I lost two people, my uncle and  my baby. The losses are married in my gut because they happened so closely in time, days apart.  It's hard to unwind where one pain ends and the other begins, if the tears are for one or both or all or everything. I remember saying to my mom at some point in the process of both losses, "it's too much." She agreed, of course, it is entirely too much. On their own, each loss would have felt unbearable, but the two together feel as if I've broken some internal meter for fortitude.

The last few weeks have blurred, smiles and laughter and warm meals with friends a welcome balm.  But I still feel bizarrely scooped out, like the strongest, worthiest, most-myself-est pieces have been removed for maintenance and I am just a roof, pulled taut over the remaining bits and pieces that make me a person.

I have many in my life who pray for me. My family, friends. And I would never dismiss the desire loved ones have to bring the heartaches of their dearest companions to God.  I'm thankful for prayer, for the messy attempt we humans make of offering comfort when comfort feels impossible, but the underlying faith necessary to believe in the helpfulness of prayer these days is pretty thin.  And that spiritual shakiness is what makes me ache for my uncle. No stranger to pain, especially over the last five years of his cancer struggle, he always ended his health updates with "The Lord giveth, and the Lord taketh away/Blessed be the name of the Lord." It could have been a casual email signature to some, but to him it was the greatest of truths.  I miss having that bone deep belief in my life, that smiling assurance that no depth of sorrow was without hope.

There wasn't anything to bury when we lost the baby. Too soon, too small, too fast. So we wrapped the petals of flowers given to us by friends and family in a remnant of my wedding gown and buried the hope of our babe at my husband's mom's grave. By that time, Uncle Buck had left us, too, and so the prayers I threw into the clouds were directed to him, not to God, "Show him around, Uncle Buck. Take care of him until I get there." Childish perhaps, but speaking to my uncle is easier than speaking to God these days, and so I do.  I hear his "darlin," his "sweetheart" when I cry and I hear the refrain he repeated throughout the course of his treatment, "The Lord giveth, and the Lord taketh away/Blessed be the name of the Lord." I read my poems to him and pretend he's with me in the car when I listen to political podcasts. On the days that it is difficult for me to believe in a good and loving God, I am thankful for my unshakable belief in the communion of saints. While God may feel far away, Uncle Buck does not, and someday perhaps I'll acknowledge that that's God, too.

I am a Roof Now, Empty and Protective

The hurt stretched, pulled thin against some immovable plane.

I picture ancient warrior women, all hands and sweep of hair, rolling out some mammoth hide and 

pulling it taut. 

That's what I am now, for now, 

my hurt some wet, bloody roof to our home. 

The sweat and crush of it has passed but the shade remains, 

the shade and the protection from all this rain.

We bury you (just petals really because you had nothing else to give us when you left)

beside your Granma, not far from a lake, 

That's where I am now, for now,

the loss of you so quick, your daddy dug a hole with a tiny stick.

I wonder if grass is cool or green or itchy, slim and sharp or soft and wide

In that other place you've bloomed without the protection of my animal hide.

The sun will dry this skin in pieces, patches, and the rain won't soak us through.

But you're still out there beneath a tree and I am still a mama with no baby

That's who I am now, for now,

Hands smoothing the stretch of me, pulled tight to the ground as music wafts from somewhere

I protect some part of you still, beneath this roof of flesh and blood

And you grow somewhere new, God's garden, God's flood

The Lord giveth, and the Lord taketh away.  Blessed be the name of the Lord. 

A Circle is Round

A circle is round
It has no end
That's how long I want to be your friend

This old Girl Scout ditty came to mind the second time my husband's wedding ring shattered. Yes. The second time, in 8 months of marriage. We were excited about the ring we chose over a year ago, it was a nice complement to my engagement ring, and the white gold braiding at the center matched the white gold flowers in my ring. A few months of wear, however, loosened that white gold braid so that soon his ring was a mess of unattached rings, like a weird wearable jigsaw puzzle.  Thinking perhaps work was doing the damage as the life of a chef means one's hands are constantly greased, constantly washing, we returned the ring for a new one and decided he'd wear the second one only on the weekends, opting for a silicone $5 ring for the workday.

The second ring broke faster than the first, the white gold braid actually snapping in half this time.  It was then that the old Girl Scout song popped into my mind.  The circle was no longer round, it had an end, and I'm English major enough to loathe the foreboding in that metaphor for marriage.

It was after this second destruction, frustrated with the necessity of purchasing a new ring, and disappointed that the ring blessed by his vows wouldn't take my husband through life, that my dad offered my Grandfather's ring as a potential replacement. My Grandmother's estate was newly settled, the ring newly passed along to my dad, and though in need of a refitting, was altogether perfect.

I'm a sentimental woman. And although I don't like to think of myself as materialistic, I am a romantic and attached to the doodahs of life that last long enough to carry memories with them.  It's why the wearing of my husband's late mother's ring means so much to me. The ring underlines the promise, bolds it, reminds me daily that the vows we took that day weren't just words or contractual speech, but were promises written in blood and gold and years.

And now he carries the same. And it struck me that we carry that golden weight similarly, in that I never knew his mother and he never knew my grandfather.  But I can see the imprint of his mother's love in the way he loves his family, the way he smiles at her memory, the guarded softness in his voice when he misses her. And I think he feels the same in me, knows the man that was my grandfather through the strength in my father's handshake, the stories told of his preaching life, his trip to Brazil, and the brief glimpse he had of my Grandmother, the wife of the first wearer of his ring, the weekend he proposed.

There's a special humility in wearing the ring of someone loved, someone who shaped your spouse. We must live up to the love etched in that gold. We must cherish that circle, that roundness of memory and life, and forbid it to end.

A circle is round
It has no end
And that's how long I want to be your friend

Heirloom

Over the last couple of years I've lost my last remaining grandparents.  As the matriarchs of their respective families, their deaths have brought with them the tidying up of homes, categorization of shoebox pictures, exploration of trinkets and recipe cards, and the divvying up of all of the above. Homes and land were sold, and the piecemeal sediment of their lives has been buried, tossed or scattered to new caretakers in the family and beyond.

A few weeks ago I invited several dear girlfriends over for lunch for the purpose of hosting loved ones around a table decorated with some of those heirloom items.  I inherited my Great Aunt Maryann's china years ago and its delicate blue flowers have been packed away in yellowing newspaper dated for my 20th birthday (deep into the Bush-Gore Florida recount, for those curious). I paired the plates with the crystal I inherited from my Grandmother, goblets for water and sparkling dessert ware. I served tea sandwiches, crusts removed and cucumbers smeared with herbed butter, on milk glass from my Great-Grandmother.

The lunch was quiet and kind, littered with laughter, prayer, clinking of wine glasses, and soft tears. Loss was fresh and ongoing to several at the table, and sometimes that rawness was palpable. Not uncomfortable, but a sort of throbbing warning that hearts nearby are vulnerable, newly wounded. I don't doubt that has frequently been the case for those around my table, and that it will not be the last, but I was buoyed by the memories of the women who cherished these beautiful things, knowing the sisterhood inherent in the drying of tears over crackers and egg salad. It's a gentle and unconquerable love.

The lunch was planned early in the year, scheduled weeks before one loss and in the midst of the other. It was simply a date that worked for all, communal crossed fingers that the weather would not do us in. While chopping and toasting and plating our meal in the kitchen, the day felt tenuous, balanced perfectly on the edge of various seasons for each of us. I was struck by how deeply painful, how horribly unfair life could be sometimes, how frequently we walk around with our wounds fully exposed to the elements. But at the same time, these sweet moments together, unwrapping scarves, knocking snow from our boots, pouring wine, squeezing shoulders and hands, the gentleness of those gestures and the fervor with which we want so desperately to love each other through the messiness of every wound, that felt like God. God deeper than, and yet sensitive to, the ache in every heart.

And I think that's what makes these heirlooms, the ring I wear of Mamaw's, the crystal I use for special occasions, the china I unwrap from aging newspaper, so heavy with import for me. I do not know every heartache experienced by the women before me, but I know that they loved well, that they took care of their sisters, their friends, often at a table. I know that they prayed in the midst of loss, teased a smile out of heartache, and dried a million tears in their decades on Earth, and I like to think that some of that comfort, a lot of that laughter, occurred with these plates, these glasses, sitting on tables in Texas, South Carolina, Arkansas. They can carry the weight of life, and they can hold the memory of more tears, more joy, more laughter for years to come.