Game 6

From as far back as I can remember being asked such a question, I've always known which team was mine. Growing up we rooted for the Cardinals, we rooted for them from afar and by proxy with the Arkansas Travelers, and when we moved to St.Louis, what was already an affection became a full-blown emotional investment in the successes and failures of that team.

I remember Ozzie Smith and Lee Smith, the players that most dominated my perception in the games I saw in person.  My brother likely remembers Mark McGuire.  There were others, of course, but there are always particular gloves that a fan watches avidly, bats that weigh heavier in our psyche.

The last time the Cardinals won the world series, I was in my last year of law school.  I watched the series-winner on a hand-me-down TV from my Uncle Frank that required the channels to be changed with a pair of pliers.  At that last out I got phone calls from my Dad and my brother, all of us cheering, all of us watching from various TV sets in our lives and linked at that moment only by the distant smell of a ballpark and a cellphone.

This series was infintely sweeter, due wholly to the Cardinals' hungry fight for a title nobody saw coming.  And it was Game 6 that inked its way into history, and into my warehouse of baseball-themed memories. 

Game 6 for the underdog is always about more than winning the series.  Game 6 is about proving, at the very least, that you will make your opponent bleed for that win. For a team that had been counted out so often and so fervently over the last season, Game 6 was, at first, an exercise in disaster.  It felt like proof that the Rangers should be the victor, that the team that nobody expected had gotten there on a fluke, a series of happy circumstances and minor miracles, and barely deserved a pennant, much less a ring.  The magic of Carpenter's arm against the Phillies, the 3-homer history-maker by Pujols, Molina's incessantly perfect from-the-knees missile to second, all were forgotten in those first seven innings, with the Cardinals looking sad, tired, and desperate.

But it's the power of that late-in-the-game desperation that made this Game 6 pure magic.  Pure baseball.  Two outs-two strikes saving graces from Freese seemed straight out of The Natural, perfect heat attached to a bat that would surely crack under the pressure of I-want-to-play-this-game-tomorrow.  Game 6 became exactly what it is supposed to be, an angry, defiant roar from a team that knows how to look presumed defeat in the face and say, "not yet."

And it's that two outs-two strikes, bottom of the ninth (or eleventh) inning feeling that weasels its way under the skin of my family, of any baseball family, of any fan who holds their breath on that last pitch.  Because whether we've played  the game or only watched it, we can all feel that hollow ache in the dugout.  We can feel the wire fence we gripped, watching our last batter swing that last bat, from a bench littered by Big League Chew, our helmet gripped sadly in one hand as we accept defeat.  Or we've been poised at shortstop, willing our pitcher to throw one more sneaky strike, one more hit-worthy ball, and we've watched that grounder peel to third, to first, and a 1-2-3 inning sends us home with a win. We've sat on bleachers and smelled hot dogs mingled with fear and sweat and potential, hoping that this is a good day, that this is a moment we'll want to remember forever.

It's the sound of leather and wood making contact on a chilly October evening, the wave of sound crying disbelief and I-knew-they-could-do-it bouncing off stadium metal, that remind any baseball-lover why this game is the game that raised you, the game that taught you to run through first base, to wait for the pitch, to always strike out swinging.

It was a game that any true lover of the sport could recognize as historic and inspiring.  And it's the game that every Cardinals fan will remember in every future moment when our boys are behind, when they're bruised and near-defeated and we're tempted to walk away, to turn off the game, to leave them alone in their shame.  It's the game that will remind us that they will bleed for the win, that they will fight the spectre of failure with every swing and dive and pitch left in their bodies.  It's the game that will always remind us why we love them so much.

Heaney and Definition

Earlier this week I had a double dose of Seamus Heaney, the Nobel Prize-winning poet, thanks to an In Conversation program at the Guthrie on Monday and a showing of his Antigone adaptation, The Burial at Thebes, on Tuesday. (Caveat: I'm vaguely aware of an FTC law that requires bloggers to note when they've received goods or been paid by an entity that they review, but I believe that only matters if the entity requires a review, which the Guthrie has not.  That being said, I submitted my blog address to the Guthrie when they invited bloggers to do so, I got a couple free tickets to Thebes, that was that. I bought the tickets to see Heaney myself. Feel free to read the following comments with all that unnecessary exposition in mind, or, kindly dispose of it given its superfluousness)

Heaney was introduced to me by a dear friend whose first role in my life was that of favorite professor, Dabney Stuart, who's a poet and letter-writer and sender of books.  I'm sure Dabney has become some romanticized image of Brilliance in my head, but he always counted me as a romantic so I won't apologize for that on his account.  We exchange letters sporadically, and occasionally when I'm stumbling over my own attempts at verses or when I just want to talk to someone about a book, I'll wonder if he thinks of me sometimes, aside from in those letters.

Dabney taught a poetry class at my alma mater and while I remember several of the poets and poems we went through, Heaney's "Digging" lodged in me soundly and never loosened.  Heaney's "Digging" and "Oysters", Yeats's "No Second Troy" and "An Irish Airmen Foresees His Death" together, sing to me better than any musician.  So to hear Heaney himself (who I'd always imagined as sort of an aloof, painful jerk) speaking of his boyhood, Belfast, death, and growing old, I felt like a mesh of all my poets, my favorites, were speaking to me from no less than 15 yards away.  When he was asked what poetry "meant," what good poetry's purpose must be, he just sighed and laughed and thought a minute.  He didn't have a polished answer, and in between other questions and thoughts, he'd come back to that one and try to tackle it again.  He settled on the subject with a comment that poetry should, simply, be more than what it is.  He worded it differently a dozen times.  It should be bigger.  Deeper.  More palpable.  Wiser.  Than what each single word alone could possibly mean if each were added together like an equation.  All of it, together, should be more.  And in the end, he was unsatisfied by that definition.

Antigone is one of those classic plays that I must imagine would be hell to be invited to adapt.  What can be done to make Antigone fresh?  Its import lies in how heavily universal its concepts of self-sacrifice and morality and government oppression are, its merit is pertinence despite age.  It has been told and retold and Antigone has been dragged out of her cave a million times as a feminist ideal and champion, so anyway, I wouldn't envy a poet/playwright for retelling such a myth.  How do you retell a story that is effectively its own metaphor?

But Heaney's struggle with defining the import and power of poetry echoed with me as I watched Thebes.  Because that struggle was perfect on stage, the way "Oysters" is perfect on paper.  Thebes works because it balances the heavy history of a play regurgitated for every power struggle, every argument of might vs. right, with the requirement of telling Antigone's sad, sad story in a way that feels important for the 90 minutes it lasts.  You can't watch 90 minutes of metaphor.  I don't care how cool an English major you are or were, 90 minutes of symbolism will suck the joy out of any soul.  So the story itself still has to feel like the characters are alive, aching, and their end is something the audience should care about.

The scene between Creon and Haemon has always haunted me but I think this production was the first time I had any heartache for Creon (and I almost feel guilty admitting it).  Haemon is beautifully done in this work, emphatic in his love for Antigone, and smooth in his attempt to cajole his father into freeing her, making Dad see reason.  There was a hint of "you will regret this moment" streaming from his lips in his final words to his father, and memories of that shouting match invariably resurface as Creon later crumbles over the body of his beloved son.  Heaney's adaptation allows a deeper vulnerability in the ironclad Creon of other productions.  While Antigone's demise lives the loudest in current vernacular, called up as a symbol for lost, valiant causes, in this production it is Creon's sorrow that is the scariest.  Antigone, after all, dies knowing she did what she must.  Creon lives on, knowing his blind governance and disregard for inherent morality (the morality of the gods), slaughtered innocents, including his son and his wife.  That continued life seems the most tragic.  Creon's burden wrecks me.  What "rules" do I insist on that are contrary to my faith or the tenets of my God? How often do I let blind ambition cloud my judgement, block my ears from reason? How dangerous is my pride? 

I think most people hope they would be Antigone.  But I think the power of Heaney's play rests in how often we tremble with worry that in a moment of truth we will be Creon.  And, like poetry, the last words, the individual moments, grow to mean more than the sum of their parts.  It isn't just an old Greek play with some new vocabulary.  It's the train wreck of pride we watch in ourselves, and the palatable fear that we will realize, too late, that pride will surely strip us of those we love most. 

Powerful stuff, poetry.

Marathon Deux: Sharing Post-Its

Yesterday I ran my second marathon.  22 miles of feeling-pretty-good, followed by 4.2 miles of I-would-like-to-die-please.  I suppose that's typical.  As this was not my first marathon, I didn't have the worries of whether or not I could finish, but I did worry that I wouldn't make my time goal (which I didn't), and after realizing that desired finish was impossible (around mile 23), I worried that I'd love this race less than the first one.

But I suppose marathons, like every other race, tend to take on the qualities of joy/sorrow that the time period of training and completion has inspired.  I have the first-half-marathon memory, the fastest-half-marathon (coupled with the half-marathon-with-the-kid-sister) memory, the half-marathon-the-day-after-the-breakup memory, the half-marathon-in-a-downpour memory, the first-full-marathon memory.  And now, I have the marathon-with-Kristen memory.

Kristen is one of my dearest friends.  It's a friendship that has only developed in the last couple of years, but it has been a huge, happy blessing in my life.  One of those friendships that after it's made, you can't quite remember how you lived without it.  She's a better, faster runner than I am, but she'd never done a marathon, so I was happy to weasel her into signing up for this one.  We didn't run together often, but we talked about it all the time.  We supported each other through injuries (this was not a good year for ankles) and various mental and physical hurdles, and we celebrated the milestones that build a training program (survival of the 20-miler is a big one).

But, more importantly, she is someone I could share my post-its with.  In 2009, for my first marathon, I wrote two verses on post-its.  One post-it had Isaiah 40:31, one had Hebrews 12:1.  They were always the verses that meant the most to me while running, and carrying them along lifted me at the moments I needed lifting. After the race, I stuck the smeared, ugly surviving scraps on my fridge, where they rested until yesterday.  I gave Kristen my Isaiah 40:31, and I kept Hebrews for myself, promising myself that if a poor, flimsy post-it could survive a marathon, I could surely survive another one, too.

I have been blessed by many wonderful female friendships, each of them dear to me, and a handful more lasting and powerful than others.  I cannot say that my friendships with practicing Christians are the more important ones, because that is completely untrue.  My best friends, Christian and non-Christian alike, have loved and carried me in ways that are counted as blessings in my life, regardless of whether I thank God for that and they don't. But it is a special, intimate joy to be able to share God with someone who means so much to you, for it to be an uncomplicated, easy thing, to pass a piece of paper with a bible verse written on it to a friend and know that she values the words and what they are capable of as much as I do.  I don't have to say, "this is why this is important to me." I could articulate it if I wanted to, but to have the explanation be unnecessary is a remarkable thing. 

So the marathon-with-Kristen memory is deeper than that.  This is the marathon-I-shared-my-post-its memory, which is infinitely more special.

The Things You Do The Day Before a Marathon

(Hopefully, if you're lucky, you have a dear friend to enjoy the day with, preferably one who will join you on the 26.2 mile journey)

1. You walk to the grocery store to buy andouille sausage (for the post-race meal), bananas (for the pre-race peanut butter and banana sandwich), and an InTouch magazine because it's a mild addiction you don't have the patience to shake.

2. You arrange the gels in your fuel belt so that the weight is evenly distributed on both hips.

3. You walk to Common Roots with above-referenced friend and buy everything bagel sandwiches with egg, tomato, and cheese.  You eat these bagels by the lake, in the sunshine.

4. You walk to the running store to buy a couple more gels that you probably don't need because you've become somewhat worried about the lower sodium content in the variety you currently own.  It's supposed to be warmer tomorrow, do I need more salt?

5. You walk to the wine and cheese store for cheese samples (for today) and beer (for tomorrow).

6. You head to the packet pick-up/expo and purchase a cheesey t-shirt, a 26.2 bumper sticker, and a bottle of gatorade.  You eat the free yogurt sample.  You take the free potato chip sample, knowing you'll never eat it.

7. You sit on the floor of your apartment with above-referenced friend and decorate tank tops with nicknames, Bible verses, and recommended shouts ("Run, Rachel, Run"...no commas on the shirt, sorry).

8. You go to Pizza Luce. For a moment you think about ordering something new, but are quickly supported in your general superstition that "new" is bad the day before a race.  Ruby Rae it is.  Ruby Rae it will always be.

9. You try on your race day gear, complete with new arm warmers, and think, "well, at least I LOOK like I can do this."

10. You decide to wear earrings to the race. Earrings you stole from your sister's jewelry box which you have now decided are good luck because they belong to her. 

11. You lace your shoes with the race chip.  Hello, Marathon Race Chip! Welcome to my shoe!

12. You tuck a post-it note from your 2009 race, smeared with what used to read all of Hebrews 12:1, into the pocket of the tank you'll wear.  There's 2009 sweat on that piece of paper, if it can survive, so can you.

13. You make a cup of tea.

14. You blog.

15. You sleep.